简爱英语电影
❶ 在哪可以看到英国电影简爱的英文影评
英国作家Charlotte Brinte的传世经典，自问世以来不断地被搬上舞台和荧屏。电影人对这个故事颇为热衷，从早年的奥逊·威尔斯 Orson Welles（《公民凯恩》）版本到近期的威廉.赫特（《大寒》）版本，在历时半个多世纪以来，伴随着7、8个版本简爱影片的诞生，不同的电影人在各自的作品中用自己的角度阐述对作品的理解，同时也推动了这部经典名着在全球的普及。
1970年的George C. Scott饰演的版本历来被认为是所有版本中改编得最恰到好处的－－既忠实于原着精神，且故事结构更为紧凑，爱情主题更加突出。苍凉静谧的英国荒原，神秘诡异的古堡，阴郁迷离的气氛，加上“老戏骨"George C. Scott的表演，将一个维多利亚时代歌特式的爱情故事演绎得凄美动人。George C. Scott的表演无疑是本片的一大看点，他的激情演绎使其他版本的Rochester黯然失色，其锋芒直逼早年的Orson Welles。而Susannah York外表沉静，含蓄内敛的风格也被评为最接近原着简爱的精神气质。本片的主题音乐更是大手笔，它出自着名音乐人约翰.威廉姆斯之手，这一主题曲把本片的爱情主题推向高潮，更成为该版本的标签，至今仍在不同的音乐会上被演奏。
对于中国观众，这一版本的意义尤为特殊——它被无数次地制成录音剪辑，在全国各地的电台一播再播：它被制成各种版本的录音带，被“听迷”们争相购买，听这部电影着迷的人甚至比有机会看这部电影的观众还要多。对于出产了无数配音电影精品的上海电影译制厂，《简爱》堪称精品中的精品。在观众每一次选出的配音作品中，《简爱》无不位列三甲。它从台词翻译到演员表演，无不成就了一种典范。这是配音大师邱岳峰与李梓的颠峰之作，他们用声音拓展了新的表现空间，丰富了电影这一“视听”的艺术在听觉上的美好体验。邱岳峰塑造的罗切斯特，或愤懑，或柔情，或倦怠，或狂暴，无不让人动容。而李梓演绎的简爱在不愠不火的声调里展现出细腻的情感变化，或温婉，或坚定，也在更深层次上丰富了简爱人物的形象。他们的声音有表情，有形象，有情感，一寸一寸都是鲜活的。
本片是20世纪70年代初拍摄的小成本电视电影，虽然由明星乔治·斯科特担纲主演，但国外观众对其评价不高，在国外电影市场基本上没有什么影响力，是上海电影译制厂表演艺术家们的精湛技艺使得她面貌焕然一新，成为观众心目中外国电影经典之作。经过邱岳峰和李梓主配之后，多少观众为之倾倒，甚至有人在寒冷的冬夜刚看完这部片子步出影院，便满怀激情吟诵起罗切斯特和简爱的对白来。简爱的爱情观、价值观、人生观对不少女性产生了巨大的影响，孕育了一批中国式的女权主义者。大伙欣赏之余，还找来原着细细品读、比较 。
这是一部特殊的电影，观众可以闭上眼睛，倾听这来自灵魂的声音。
如果问译制片里有哪部影片可以称得上是“圣经”的话，那一定就是她了。
❷ 简爱96版 中英字幕 电影 谢谢
简爱1996[爱情]
主演：安娜·帕奎因Nic KnightNicola Howard
导演：佛朗哥·泽菲雷里
已发送下载连接，请查收
我是残忍的扇贝！
❸ 求电影 简爱 96版 中英双字
查收资源哈 96版与2011新版
❹ 求英文版电影《简爱》
已发送，请查收。如没看到请查看你的垃圾邮箱，看看是不是被拦截了。有问题请追问，谢谢
❺ 美国版电影简爱
Jane Eyre
The orphaned protagonist of the story. When the novel begins, she is an isolated, powerless ten-year-old living with an aunt and cousins who dislike her. As the novel progresses, she grows in strength. She distinguishes herself at Lowood School because of her hard work and strong intellectual abilities. As a governess at Thornfield, she learns of the pleasures and pains of love through her relationship with Edward Rochester. After being deceived by him, she goes to Marsh End, where she regains her spiritual focus and discovers her own strength when she rejects St. John River’s marriage proposal. By novel’s end she has become a powerful, independent woman, blissfully married to the man she loves, Rochester.
Edward Fairfax Rochester
Jane’s lover; a dark, passionate, brooding man. A traditional romantic hero, Rochester has lived a troubled wife. Married to an insane Creole woman, Bertha Mason, Rochester sought solace for several years in the arms of mistresses. Finally, he seeks to purify his life and wants Jane Eyre, the innocent governess he has hired to teach his foster daughter, Adèle Varens, to become his wife. The wedding falls through when she learns of the existence of his wife. As penance for his transgressions, he is punished by the loss of an eye and a hand when Bertha sets fire to Thornfield. He finally gains happiness at the novel’s end when he is reunited with Jane.
Sarah Reed
Jane’s unpleasant aunt, who raises her until she is ten years old. Despite Jane’s attempts at reconciliation before her aunt’s death, her aunt refuses to relent. She dies unloved by her children and unrepentant of her mistreatment of Jane.
John Reed
Jane’s nasty and spoiled cousin, responsible for Jane’s banishment to the red-room. Addicted to drinking and gambling, John supposedly commits suicide at the age of twenty-three when his mother is no longer willing or able to pay his debts.
Eliza Reed
Another one of Jane’s spoiled cousins, Eliza is insanely jealous of the beauty of her sister, Georgiana. She nastily breaks up Georgiana’s elopement with Lord Edwin Vere, and then becomes a devout Christian. But her brand of Christianity is devoid of all compassion or humanity; she shows no sympathy for her dying mother and vows to break off all contact with Georgiana after their mother’s death. Usefulness is her mantra. She enters a convent in Lisle, France, eventually becoming the Mother Superior and leaving her money to the church.
Georgiana Reed
Eliza’s and John’s sister, Georgiana is the beauty of the family. She’s also shallow and self-centered, interested primarily in her own pleasure. She accuses her sister, Eliza, of sabotaging her plans to marry Lord Edwin Vere. Like Eliza, she shows no emotion following their mother’s death. Eventually, Georgiana marries a wealthy, but worn-out society man.
Bessie Lee
The maid at Gateshead who sometimes consoles Jane by telling her entertaining stories and singing her songs. Bessie visits Jane at Lowood, impressed by Jane’s intellectual attainments and ladylike behavior. Bessie marries the coachman, Robert Leaven, and has three children.
Mr. Lloyd
The kind apothecary who suggests that Jane be sent to school following her horrifying experience in the red-room. His letter to Miss Temple clears Jane of the accusations Mrs. Reed has made against her.
Mr. Brocklehurst
The stingy, mean-hearted manager of Lowood. He hypocritically feeds the girls at the school starvation-level rations, while his wife and daughters live luxuriously. The minister of Brocklebridge Church, he represents a negative brand of Christianity, one that lacks all compassion or kindness.
Helen Burns
Jane’s spiritual and intellectual friend at Lowood. Although she is unfairly punished by Miss Scatcherd at Lowood, Helen maintains her poise, partially through her loving friendship with Miss Temple. From Helen, Jane learns tolerance and peace, but Jane can’t accept Helen’s rejection of the material world. Helen’s impressive intellectual attainments inspire Jane to work hard at school. Dying in Jane’s arms, Helen looks forward to peace in heaven and eventual reunion with Jane.
Maria Temple
The warm-hearted superintendent at Lowood who generously offers the girls bread and cheese when their breakfasts are inedible. An impressive scholar, a model of ladylike behavior and a compassionate person, Miss Temple is a positive role model for Jane. She cares for Jane and Helen, offering them seedcake in her room and providing Helen with a warm, private bed when she is dying.
Miss Miller
Teacher for the youngest students at Lowood who greets Jane on her first night at the school
简爱——罗切斯特（恋人/夫妻）——疯女（夫妻）
海伦－－简爱（孤儿院好友）
布洛克尔赫斯特——坏人，孤儿院主持
圣约翰——简爱（表兄妹，简爱的追求者之一）
戴安娜和玛丽－－简爱的表姐，圣约翰的胞妹
爱丽思·费尔菲克斯－－罗切斯特的女管家，简爱的朋友
阿黛勒－－罗切斯特的朋友的女儿，罗切斯特是她的监护人，简爱的学生
英格拉姆小姐－－罗切斯特的追求者
❻ 请问英文版《简爱》电影中哪个片段比较经典
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❼ 电影简爱的英文对白
夏洛蒂·勃朗特的《简爱》我已经看了N遍了，改编成电影以后也欣赏了很多遍。尤其是这段由李梓、邱岳峰配音的精彩对白，多年来一直钟情，下面就一起来欣赏一下吧！
罗切斯特：还没睡
简：没见你平安回来怎么能睡！梅森先生怎么样？
罗：他没事！有医生照顾。
简：昨儿晚上你说要受到的危险，过去了？
罗：梅森不离开英国很难保证！但愿越快越好！
简：他不象是一个蓄意要害你的人！
罗：当然不！他害我也可能出于无意！坐下。
简：格雷斯·普尔究竟是谁？你为什么要留着她？
罗：我别无办法！
简：怎么会~
罗：你忍耐一会儿，别逼着我回答！我，我现在多么依赖你！
唉，该怎么办？简！有这样一个例子，有个年青人，他从小就被宠爱坏了，他犯下个极大的错误。
不是罪恶，是错误，它的后果是可怕的，唯一的逃避是逍遥在外，寻欢作乐。
后来他遇见个女人，一个二十年里他从没见过的高尚女人，他重新找了生活的机会，可是世故人情阻碍了他，那个女人能无视这些吗？
简：你在说自己？罗切斯特先生？
罗：是的！
简：每个人以自己的行为向上帝负责，不能要求别人承担自己的命运，更不能要求英格拉姆小姐！
罗：哼！你不觉得我娶了她，她可以使我获得完全的新生？
简：既然你问我，我想不会！
罗：你不喜欢她？说实话吧！
简：我想她对你不合适！
罗：啊哈~，那么自信！那么谁合适？你有没有什么人可以推荐？哼！唉~
你在这儿已经住惯了？
简：我在这儿很快活！
罗：你舍得离开这儿吗？
简：离开这儿？
罗：结婚以后我不住这儿了！
简：当然！阿黛勒可以上学，我可以另找个事儿。……我要进去了！我冷！
罗：简！
简：让我走吧！
罗：等等！
简：让我走！
罗：简。
简：你为什么要跟我讲这些？她跟你与我无关！你以为我穷，不好看，就没有感情吗？
我也会的！如果上帝赋予我财富和美貌，我一定要使你难于离开我，就象现在我难于离开你。
上帝没有这样！我们的精神是同等的，就如同你跟我经过坟墓将同样地站在上帝面前。
罗：简~
简：让我走吧！
罗：我爱你！我爱你！
简：不！别拿我取笑了
罗：取笑？我要你！布兰奇有什么？我对她不过是她父亲用以开恳土地的本钱！ 嫁给我！简！说你嫁我！
简：是真的？
罗：唉！你呀！你的怀疑折磨着我！答应吧！答应吧！
简：我爱你,爱德华.（简依偎在罗切斯特的胸前，罗切斯特紧紧地抱住了她）
罗：上帝饶恕我！别让任何人干扰我！她是我的！我的！
❽ 关于简爱电影的英文字幕
那么多版本，去射手找
❾ 《简爱》电影的英语影评
Jane Eyre is a first-person narrative of the formative years of the title character, a small, plain-faced, intelligent, and passionate English orphan girl. The plot follows the form of a Bilngsroman, a novel that tells the story of a child's maturation and focuses on the emotions and experiences that lead to his or her maturity. The novel goes through five distinct stages: (1) Jane's childhood at Gateshead, where she is abused by her aunt and cousins; (2) her ecation at Lowood School, where she acquires friends and role models but also suffers privations; (3) her time as governess at Thornfield Manor, where she falls in love with her Byronic employer, Edward Rochester; (4) her time with the Rivers family at Marsh's End (or Moor House) and at Morton, where her cold clergyman-cousin St. John Rivers proposes to her; and (5) her reunion with and marriage to her beloved Rochester at his house of Ferndean. Partly autobiographical, the novel abounds with social criticism and sinister Gothic elements. Jane Eyre is divided into 38 chapters, and most editions are at least 400 pages long