羅馬假日電影影評英文版
⑴ 羅馬假日的英文影評
第一篇
when people comment on this movie here, people all failed to mention another historic event which just happpend before the release of that movie in 1950s. Princess Anne of the British Royal family fell in love with a common man(who unfortunately was divorced--one needs to understand that in 1950s, divorces was like a dirty record in your credit history, which will damage your public image and credibility). It was also not acceptable at that to see a marriage between a common man and a lady with blue blood. IN constrast to King Edward who gave up royal position for her beloved one, she finally gave up this relationship under the tremendous pressure.
The cruel thing was that all news media published her give-in in headlines and it flashed on the street too. It was a sensational event in Uk and US.
Roman holiday almost replicated that story with unbelievably similar details. That's why it was so popular and so touching for many people in Europe and US.
this movie launched Audrey, an unknown and obscure swiss lady into stardom over night. She got Oscar that year and started her legend.
第二篇
Roman Holiday is a classic romantic comedy. Princess Ann is a royal princess of an unspecified country. One night she visits Rome to do her official ties, but every minutes of her time is scheled. Her doctor gives a sedative to help her sleep, but she secretly leaves her country embassy and goes out alone to experience Rome. After she falls asleep on a public bench because of the injection, which is given by her doctor. Joe Bradley meet her by chance and he does not recognize her as a princess.
It was one of a charming comedy which is starring Audrey Hepburn. Her acting was so fun, this movie makes me hilarious. If you have never seen this movie, I strongly recommend this movie. Audery Hepburn was a royal princess in this movie, and also she was my princess in my heart.
第三篇
Roman Holiday (1953) is a delightful, captivating fairy-tale romance shot entirely on location in Rome, and proced and directed by one of Hollywood's most skillful, distinguished, professional and eminent directors - William Wyler.
The film's bittersweet story is a charming romantic-comedy, a kind of Cinderella tale in reverse (with an April-October romance). A runaway princess (Hepburn) rebels against her royal obligations and escapes the insulated confines of her royal prison to find a 'Prince Charming' commoner - an American reporter (Peck) covering the royal tour in Rome. The story was reportedly based on the real-life Italian adventures of British Princess Margaret.
Wyler was known for other great films including Dodsworth (1936), Jezebel (1938), Wuthering Heights (1939), The Letter (1940), Mrs. Miniver (1942), The Best Years of Our Lives (1946), The Heiress (1949), Friendly Persuasion (1956), Ben-Hur (1959) and Funny Girl (1968). Wyler's well-crafted, stylish films that cover a wide range of film genres (family dramas, westerns, epics, romantic comedies, and even one musical) always included down-to-earth characters in real-life situations.
The film received a phenomenal ten Academy Award nominations for a comedy. It won a Best Actress Oscar for its under-experienced British (Belgium-born) actress named Audrey Hepburn - it was her first American film, although she had previously appeared in six European movies and on Broadway in an adaptation of Colette's Gigi. Another of the film's three Oscar awards, the one for Best Original Story was given to Ian McLellan Hunter. In 1992, a posthumous Oscar was properly credited and given to blacklisted Hollywood Ten author Dalton Trumbo, who actually wrote the screenplay. The third Oscar it received was for Best B/W Costume Design (Edith Head). The other seven nominations included: Best Picture, Best Supporting Actor (Eddie Albert), Best Director, Best Screenplay (Ian McClellan Hunter and John Dighton), Best B/W Cinematography, Best B/W Art Direction/Set Decoration, and Best Film Editing.
第四篇
There has been a long hiatus between that day when history wore a rose, when princesses and knights-errant in mufti could get into a lovely scrape or two and when the movies could do something about it. That day apparently has passed. For "Roman Holiday," which arrived at the Music Hall yesterday, is a royal lark in the modern idiom about a regal but lonely young thing who has her moment of happiness with an adventurous newspaper man. It is a contrived fable but a bittersweet legend with laughs that leaves the spirits soaring.
Call "Roman Holiday" a credit to William Wyler's versatility. The procer-director, who has been expending his not inconsiderable talents on worthy but serious themes, is herein trying on the mantle of the late Ernst Lubitsch and making it fit fairly well. He certainly is dealing with the formal manners of ultra-high society and, if the unpolished common man is very much in evidence, too, it does not matter because his cast and the visually spectacular backgrounds of Rome, in which this romantic excursion was filmed, also are necessary attributes to this engaging story.
Tender, Amusing Yarn
A viewer with a long memory might recall some plot similarities between "Roman Holiday" and "It Happened One Night." This is not important. Mr. Wyler and his associates have fashioned a natural, tender and amusing yarn about the heiress to the throne of a mythical kingdom who is sick unto death of an unending schele of speeches, greetings and interviews attendant on her goodwill tour and who suddenly decides to escape from these bonds of propriety. Her accidental meeting with Joe Bradley, the American journalist, and the night she spends in his apartment are cheerful, untarnished and perfectly believable happenstances in which romance understandably begins to bloom.
The director and his scenarists, Ian McLellan Hunter and John Dighton, have sensibly used the sights and sounds of Rome to dovetail with the facts in their story. Since the newspaper man is anxious to get the exclusive rights to the princess' adventures in the Eternal City, and since he is also anxious to keep her in the dark as to his identity, a Cook's Tour of the Eternal City is both appropriate and visually edifying.
This is not a perfunctory trip. Mr. Wyler and his camera crew have distilled chuckles as well as a sightseeing junket in such stops as the Princess getting a new coiffure; a perfectly wild motorscooter ride through Roman streets, alleys and market places winding up with a session in a police station, and an uproarious dance on one of the barges on the Tiber that terminates with the princess and her swain battling and escaping from the sleuths sent to track her down. The cameras also have captured the raucous sounds and the varied sights of a bustling, workaday Rome; of sidewalk cafes; of the Pantheon; the Forum; and of such various landmarks as the Castel Sant' Angelo and the rococo, mirrored grandeur of the Colonna, Brancaccio and Barberini Palazzi.
Although she is not precisely a newcomer to films Audrey Hepburn, the British actress who is being starred for the first time as Princess Anne, is a slender, elfin and wistful beauty, alternately regal and childlike in her profound appreciation of newly-found, simple pleasures and love. Although she bravely smiles her acknowledgment of the end of that affair, she remains a pitifully lonely figure facing a stuffy future. Gregory Peck makes a stalwart and manly escort and lover, whose eyes belie his restrained exterior. And it is altogether fitting that he eschews the chance at that exclusive story considering the circumstances.
Eddie Albert is excellent as the bewildered, bewhiskered and breezy photographer who surreptitiously snaps the unwitting princess on her tour. Hartley Power, as the bureau chief of Mr. Peck's news agency; Paolo Carlini, as an amorous barber; Claudio Ermelli, as a janitor; Alberto Rizzo, as a timorous cabbie; Harcourt Williams, Tullio Carminati and Margaret Rawlings, as Miss Hepburn's official aides and an echelon of actual Rome correspondents, help give the proceedings authenticity and flavor. It is a short holiday in which they are involved but an entirely pleasureable one.
Featured on the Music Hall stage are Anne Harvey, Patricia Rayney, George Sawtelle, Clifford Guest, The Rockettes and the Corps de Ballet.
⑵ 急需一篇羅馬假日的英文影評，要求不要太專業化，簡單一點就行，謝謝大家。。
Roman Holiday is a classic romantic comedy. Princess Ann is a royal princess of an unspecified country. One night she visits Rome to do her official ties, but every minutes of her time is scheled. Her doctor gives a sedative to help her sleep, but she secretly leaves her country embassy and goes out alone to experience Rome. After she falls asleep on a public bench because of the injection, which is given by her doctor. Joe Bradley meet her by chance and he does not recognize her as a princess.
It was one of a charming comedy which is starring Audrey Hepburn. Her acting was so fun, this movie makes me hilarious. If you have never seen this movie, I strongly recommend this movie. Audery Hepburn was a royal princess in this movie, and also she was my princess in my heart.
⑶ 羅馬假日影評英文版800詞
羅馬假日影評英文版800詞，見附件。
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⑷ 羅馬假日英語觀後感
Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
⑸ 羅馬假日英文影評
when people comment on this movie here, people all failed to mention another historic event which just happpend before the release of that movie in 1950s. Princess Anne of the British Royal family fell in love with a common man(who unfortunately was divorced--one needs to understand that in 1950s, divorces was like a dirty record in your credit history, which will damage your public image and credibility). It was also not acceptable at that to see a marriage between a common man and a lady with blue blood. IN constrast to King Edward who gave up royal position for her beloved one, she finally gave up this relationship under the tremendous pressure.
The cruel thing was that all news media published her give-in in headlines and it flashed on the street too. It was a sensational event in Uk and US.
Roman holiday almost replicated that story with unbelievably similar details. That's why it was so popular and so touching for many people in Europe and US.
this movie launched Audrey, an unknown and obscure swiss lady into stardom over night. She got Oscar that year and started her legend.
⑹ 求羅馬假日英文影評200詞左右，初一水平
The story is about a young princess (公主) (Hepburn) named Ann, making a goodwill (善意的) tour of Europe's capitals. She is tired of the responsibility (職責) and demands of the role she has been born in to and longs to experience the every day pleasures of an ordinary person. In Rome she finally rebels. Waiting until after everyone in the embassy (大使館) where her party is staying has gone to sleep, she slips out a window and finds herself alone on the streets of Rome.
She is found by Joe Bradley (Peck), a hardened (堅毅的) and somewhat cynical (憤世嫉俗的) reporter, on his way home from a late night card game. Not knowing who she is but seeing that she has no place to stay he takes pity on her and invites her to his apartment for the night. In a comical (滑稽的) scene, he offers her a pair of his pajamas (睡衣) and points to the couch where she can sleep. Innocent (天真的) aristocrat (貴族) that she is, she asks for a nightgown and help undressing. Bradley helps her take off her tie and then leaves the room. When he returns a few minutes later he discovers her sound asleep on the bed, leaving him the couch (沙發).
Leaving her sleeping the next morning, Bradley shows up late for work and tries to cover himself by saying that he had an interview (采訪) with the princess. But his editor shows him a newspaper with her picture and headline stating that she was taken ill the night before and canceled all appointments (安排) for the day. Bradley immediately realizes who he has in his apartment and gets the editor to agree to pay $5,000 if he can get a real interview with the princess. On the way out Bradley contacts a photographer (攝影師) friend, Irving Radovich (Albert) and arranges for him to met him later with his camera for a big scoop.
Returning to his apartment, Bradley picks up the princess for their planned tour of the city. Bradley's real aim is to get the pictures and story he promised (答應) his editor. But the innocent charm of the princess softens him and the two start to fall in love. They end up having a good time and some comical adventures (冒險). Bradley conceals the fact that he is a reporter who knows who she really is and she doesn't tell him that that she is a royal princess. But in the end the truth comes out and the princess realizes that her ty to her country and family come first and she reluctantly (不情願地) returns to her official role.
The two meet briefly at the end ring her press conference with other reporters. She addresses Bradley as Mr. Bradley just like the others. As he is leaving, Bradley, quietly slips her the photos that his friend Irving had taken and lets her know that his story and pictures of their time together will never be published (公布).
The charming Audrey Hepburn plays a modern princess who takes a day on Rome. She meets up with reporter Peck and wise-cracking photographer Albert. Peck and Hepburn fall in love, though Peck plans to sell an "exclusive story with the princess." Roman Holiday is a fun romantic comedy, but stays realistic (現實) with its commentary on society and royalty.
⑺ 羅馬假日觀後感英文版40詞
Waterloo Bridge is one of the finest movies I have ever seen. Vivien Leigh and Robert Taylor make sheer magic together on screen, and both give touching performances. My favorite part is when Myra sees Roy in the station, after thinking that he was dead. The look on her face is the complete opposite of his! The ending with the little troll is especially sad. Still, it's a wonderful movie, and everyone has to see it at least once!
來源：IMDB
⑻ 求一篇羅馬假日的英文影評
It was the first film of Audrey Hepburn, not only she won movie queen, but also
then her beautiful and cultured manners brought the 「Hepburn hot」 in the
1950s.
The director William Wyle melted
the Famous landscape into this film vividly, Gregory Peck and Audrey
Hepburn』s actings are both very well, and they made this romantic love comedy
very warm and fragrant. I think it is a very classic film.
⑼ 羅馬假日影評，服飾方面，英文版，1000字左右。
圖書館有專門的奧黛麗赫本在羅馬假日中的服飾描寫以及對整個時尚界乃至全歐洲的影響，翻譯並不難，還要自己去查查才好，不要一味借鑒別人的成果。
⑽ 羅馬假日影評英文版,高一水平的,多謝.
第一篇：
A Holiday worth celebrating every day of the year. The Princess awakens from her slumbers in this classic fall-from-innocence, coming-of-age tale with a royal twist.
stakes her claim as the most perfect woman who ever lived.
at his best as the ne'er-do-well American reporter who guides her chastely from girlhood to womanhood. What can I add? One of the finest movies ever made. Now will you please stop reading this review and rent the movie, for heaven's sake? ...Now, according to the rules, this review has to go for at least 10 lines. And yet I've said everything I have to say about Roman Holiday. It is perfect. Rent it. Or better yet, buy it. You won't regret it. There, now that's 11 lines, that ought to do it.
第二篇：
With a very nice blend of fantasy and reality, and two very likable stars, "Roman Holiday" is both entertaining and thoughtful. Sometimes it is very funny, and at other times it makes you feel a great sympathy and warmth towards the characters.
and
are ideal in the leading roles, and the story is very clever in getting a lot of mileage out of a simple idea without pushing things too far, which makes it quite effective.
The idea of Princess Ann (Audrey) slipping away unnoticed and unrecognized for a day of fun and freedom from responsibility is of course fanciful, but it works for a lot of reasons, not the least of which is Peck's role as a pragmatic newsman. He is a good balance for Hepburn's charm and energy, remaining calm and logical without ever becoming cold or distant. You feel as if you could spend a lot more than a couple of hours in their company. And how could you improve on Eddie Albert's performance as Peck's photographer friend? The movie also adds in the atmosphere of Rome itself, with some creative scenes that make good use of the setting.
There are many fine moments in a story that at times seems almost like a daydream, and then it brings the characters back to reality in a moving way. It's not an easy combination to pull off, but here it all fits together very well, to make the kind of classic worth remembering, and one which you can watch and enjoy more than once.