5分鍾英文電影

㈠ 求適合配音的英語電影片段（5分鍾）

動畫片：穿靴子的貓 獅子王 貓和老鼠 功夫熊貓 美女與野獸 白雪公主 史努比 花木蘭
電影：鯊魚黑幫 冰河世紀 老友記 動物農戶 怪物史萊克
我個人比較推薦：超人總動員（超人一家人）
因為以前我配過這個 很合適4到5人

㈡ 求一部任意電影的英文簡介，讀起來在5分鍾以內的！急！！！

《雪花秘扇》吧 英文版Lily is the daughter of a humble farmer, and to her family she is just another expensive mouth to feed. Then the local matchmaker delivers startling news: if Lily's feet are bound properly, they will be flawless.In nineteenth-century China, where a woman's eligibility is judged by the shape and size of her feet, this is extraordinary good luck. Lily now has the povcer to make a good marriage and change the fortunes of her family. To prepare for her new life, she must undergo the agonies of footbinding, learn nu shu, the famed secret women's writing, and make a very special friend, Snow Flower. But a bitter reversal of fortune is about to change everything.
中文版作品根據「女書」的流傳范圍及特點,在小說中塑造了百合和雪花兩個主要人物,他們在七歲的時候,就是一對非常要好的朋友,在時光的流逝中,無論是經歷了飢荒、動亂,還是遭遇到婚姻中的孤獨與絕望,她們都能相互安慰,但當誤解出現的時候,她們終生的友誼卻突然面臨著破裂的危險……
小說結構巧妙,作者不僅向西方介紹了中國的「女書」這一獨特的文化現象,還栩栩如生地描繪出那個時代中國婦女所經受的種種痛.在字里行間,充滿了對人物深切的同情,並探索了女性友誼這一人類關系中永恆的主題.
再說一個《四十歲老處男》英文版Andy Stitzer (Steve Carell) has gone 40 years without "doing it." Now his pals are making it their mission to help him score... fast! Can he survive their hilariously bad advice? Will he land in the arms of the way-too-experienced or the way-too-drunk? Or can he find true love where he least expects - from a gorgeous grandmother (Catherine Keener)? When it comes to sex, there's only one sure thing - The 40-Year-Old Virgin. The outrageous comedy hit is now the DVD that makes the pleasure last forever! 中文版安迪（史蒂夫��卡瑞爾 Steve Carell 飾）40歲了,有著高薪厚職的他過著平靜的日子.然而,當他有一次和他的狐朋狗黨聊天時無意中透露了自己還是處男的時候,麻煩來了.他的朋友們最急於的是如何介紹一個女孩給安迪好讓他盡快擺脫處男身.
雖然安迪自己也著急,但有些時候就是越急越亂.朋友們安排安迪去酒吧結識女孩,無奈安迪不能像其他人一樣帶著結識的女孩去兜風,因為他還不會駕駛.每次約會都笑料百出,安迪洋相盡出.
安迪遇上了帶著三個孩子的單親媽媽翠西（凱瑟琳��基納 Catherine Keener 飾）,兩人很快墮入愛河,安迪這次能否擺脫處男身?

㈢ 求關於最喜歡的電影的英語演講5分鍾左右

There are so many movies I've loved that the entire list would be nearly book-length. It's tough to pick just a few, but I'll give it a try.
Before I start any kind of numbered list, I have to include one film that ... well, it'd be unfair to call it (them, really) my favorite film(s), as they float in the stratosphere above anything like a numerical favorites list. It isn't fair to list it with others. While I'll still refer to #1 on the list below as my favorite as follow.
Movie:d'Amélie Poulain, Directed by :Jean-Pierre Jeunet.
Jean-Pierre Jeunet has created montages of insignificance and triviality only to bring out in an euphemistic way the biggest support one can get in life;love.Every single character,including Amelie herself,has some kind of peculiarity in their characteristics(which often resemble the eccentricity of Dickensian characters)but the one thing binds them together is their agony of being lonely,unnoticed and search for companionship and appreciation.Amelie is like the angel who repairs the missing links in their lives and finds a root of her own.The "All's Well that Ends Well" motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us.
For 20 years Jean-Pierre Jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in French film history. Jean-Pierre Jeunet fell in love with the story and the film he titled Le fabuleux destin d'Amélie Poulain. But it's popularity was even a surprise to Jean-Pierre Jeunet himself as he once stated: I guess I have to proce a film like Alien Resurrection (USA 1997) to make a movie like Le fabuleux destin d'Amélie Poulain', obviously not aware of the films potential. Unfortunately the film didn't win an Academy Award for the best foreign film in 2001 which still puzzles film fans all over the world.
I consider Jean-Pierre Jeunet's film as a masterpiece. In my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. Going to the cinema is like meditating. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. We seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. Thanks to Jean-Pierre Jeunet I had a wonderful dream, I will never forget.
Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the film look like the Spanish painter did his artwork. To establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. Audrey Tautou (Amélie Poulain), mostly wears either red or green dresses, as well as the housekeeper (Yolande Moreau as Madelaine Wallace, concierge), and Amélie's mother (Lorella Cravotta as Amandine Poulin) in the beginning of the film. When Amélie Poulain sits down to watch the tragedy of her life on her TV, there is an outstanding of a blue lamp in the background. Sometimes the use of color gets very obvious. Amélie's apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. Honestly, I haven't noticed the extreme use of color the first time I watched the movie. I just wondered how Jeunet succeeded in establishing such a fabulous atmosphere.
The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 19 songs in 15 days for this movie. The principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. The music supports every moment in the film and becomes the sound of a fabulous world.
Camera movement certainly contributes its part to the atmosphere. Balanced and unbalanced pictures contribute to the message of each shot. Right in the beginning when Amélie's mother is introced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. The same can be about the first shots of Amélie's father. When talking about his dislikes, the shots are unbalanced. But more impressing are some camera movements. For example there is an astonishing high angle shot of Amélie flipping stones on le canal in Paris. The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. Another one worth mentioning might be the chase of the repairs person. Nino is shown falling up the steps chasing the repairs person for the photo machines. The camera turns to show the man getting in the car driving off. Still in a low angle Nino starts his moped, trying to follow the worker, almost hitting a car. Amélie is entering the picture running after Nino. The camera follows her, then turning almost 180° around her to show her hold Nino's red bag that he lost. When Amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. Some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. They support the dreamlike atmosphere, adding interesting aspects to ordinary actions.
這個影片「天使愛美麗」的觀後感，從導演及音樂、攝影方面闡述了對該電影的喜愛之情。文章字數為4500字左右，根據演講人語速5分鍾內應該無問題，我也可以再刪減內容，希望能幫到你。

㈣ 選一部英文電影片段配音用,5分鍾左右,3個人的,有知道的請賜教!!!急急急!!!

以前我們配2個人的,用的是<星際寶貝>
似乎<音樂之聲>有三個人的,其實一般的動畫片比較好配的
比如<獅子王><阿拉丁><海底總動員>什麼的...

㈤ 寫五分鍾英文電影推薦是什麼意思

大概是寫一個英語推薦，字數大概在四五百字差不多，因為演講五分鍾大概是四五百字

㈥ 求適合兩個男生英語配音3分鍾至5分鍾得電影，最好提供時間段

1.《大偵探福爾摩斯》（小羅伯特唐尼、裘德洛）的8分37秒左右開始到11分30秒，福爾摩斯和華生的對話 不過 有幾秒需要一個女聲（女傭） 你們可以考慮反串一下或找人幫忙 要不這部電影應該還有其他片段的 這電影還有第二部

2.《變臉》（尼古拉斯凱奇、約翰特拉沃爾塔）印象中電影最後20分鍾中的兩大男主對決的部分有可用的片段

3.《復仇者聯盟》 有兩段
A洛基和雷神對話大概從44分56秒到47分09（只有兩分鍾）
B鋼鐵俠和美國隊長有一段他們在聯盟的飛船上 吵架加互相幫忙的片段 仔細看了一下他們兩個對話過程有其他人的對話，嗯 你可以在血葯配音的部分靜音不需要的把聲音放出來 鋼鐵俠和隊長的從1小時10分08秒到1小時12分52秒+從1小時15分48秒到1小時16分31秒

4.成龍的在好萊塢的兩個系列《上海正午》和《尖峰時刻》都是兩個男人戲 很多片段可以選

㈦ 誰能提供5分鍾左右英語電影配音的片段，非常感謝

提供功夫熊貓的5分鍾配音素材片段，已消人聲，網盤地址見附件。

如果看不到附件，請用電腦訪問。