電影鋼琴師英文

『壹』 海上鋼琴師的英文名稱是什麼

海上鋼琴師》英語：The Legend of 1900；義大利語：La Leggenda del Pianista sull'Oceano。是義大利著名導演朱塞佩•托納托雷的「三部曲」之一。
電影是由亞歷山卓•巴利科1994年的劇場文本《1900：獨白》所改編而成。由蒂姆•羅斯主演，電影主要是講述了一個被命名為「1900」的棄嬰在一艘遠洋客輪上的傳奇一生。於1998年10月28日在義大利上映。

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2019-11-26

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《海上鋼琴師》英語：The Legend of 1900；義大利語：La Leggenda del Pianista sull'Oceano。是義大利著名導演朱塞佩•托納托雷的「三部曲」之一。
電影是由亞歷山卓•巴利科1994年的劇場文本《1900：獨白》所改編而成。由蒂姆•羅斯主演，電影主要是講述了一個被命名為「1900」的棄嬰在一艘遠洋客輪上的傳奇一生。於1998年10月28日在義大利上映

『貳』 求《鋼琴家》電影英文原版，清晰資源

《鋼琴家》網路網盤高清資源免費在線觀看：

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[鋼琴家][2020][類型/劇情、戰爭]，主演：阿德里安·布洛迪、艾米麗雅·福克斯、米喬·贊布羅斯基

影片簡介：該片根據波蘭猶太作曲家和鋼琴家席皮爾曼的自傳改編，描寫了一個波蘭猶太鋼琴家在二戰期間艱難生存的故事。

『叄』 求電影《鋼琴師》中所有音樂的英語名字，謝謝了

網路里有的。
1. Nocturne for piano in C sharp minor, KK Anh.Ia/6 (doubtful)
Composed by Fryderyk Chopin with Janusz Olejniczak

2. Nocturno for piano in E minor, Op. 72, CT 126
Composed by Fryderyk Chopin with Janusz Olejniczak

3. Nocturne for piano in C minor, Op. 48/1, CT 120
Composed by Fryderyk Chopin with Janusz Olejniczak

4. Ballade for piano No. 2 in F major, Op. 38, CT 3 (Four Ballades)
Composed by Fryderyk Chopin with Janusz Olejniczak

5. Ballade for piano No. 1 in G minor, Op. 23, CT 2 (Four Ballades)
Composed by Fryderyk Chopin with Janusz Olejniczak

6. Waltz for piano in A minor, Op. 34/2, CT 208
Composed by Fryderyk Chopin with Janusz Olejniczak

7. Prelude for piano No. 4 in E minor, Op. 28/4, CT 169
Composed by Fryderyk Chopin with Janusz Olejniczak

8. Andante spianato and Grande Polonaise for piano, Op. 22. Andante spianato in G major. Tranquillo (Introction to the Grande Polonaise)
Composed by Fryderyk Chopin

Performed by The Warsaw Philharmonic National Orchestra of Poland with Janusz Olejniczak

Concted by Tadeusz Strugala

9. Andante spianato and Grande Polonaise for piano, Op. 22. Grande Polonaise in E flat major. Molto allegro
Composed by Fryderyk Chopin

Performed by The Warsaw Philharmonic National Orchestra of Poland with Janusz Olejniczak

Concted by Tadeusz Strugala

10. The Pianist, film score Moving to the Ghetto Oct. 31, 1940
Composed by Wojciech Kilar

Performed by The Warsaw Philharmonic National Orchestra of Poland with Hanna Wolczeska

Concted by Tadeusz Strugala

11. Mazurka for piano in A minor, Op. 17/4, CT 63
Composed by Fryderyk Chopin with Andrzej Szpilman[3]

『肆』 英語電影《鋼琴家》如50詞左右觀後感英語寫

範文：In the film, although Spearman escaped from death again and again with the help of various friends and strangers, in that group of people, human nature is not always simple and great.

The pianist shows how the environment shapes people and makes people grow or distort in the "troubled times" with only terror, loneliness and instinct.

The impact of war on human hearts is beyond our imagination. What is more valuable is that the film lens is extremely calm and objective, avoiding all complaints and sensationalism.

該片中，斯皮爾曼雖然在各種朋友、陌生人的幫助下一次又一次死裡逃生，但在那群人里，人性並不都是單純的、偉大的。

《鋼琴家》所展示的是，在只剩下恐怖、孤獨和本能的「亂世」里的眾生相，環境究竟如何塑造人，讓人獲得成長或者扭曲，戰爭對人類心靈的影響超出我們的想像。而更可貴的是，影片鏡頭極度冷靜、客觀，迴避了所有控訴和煽情。

『伍』 中英翻譯：《鋼琴師》這部電影是以二戰期間的一個真實故事為依據,吸引了全球大量觀眾.(base)

Pianist is based on a true story of the Second World War and appeals a great number of audiences.

『陸』 電影《海上鋼琴師》的英文名字是什麼

The Legend of 1900 就是這個 親
希望能幫到你...

『柒』 《鋼琴家》電影的英文介紹

A brilliant pianist, a Polish Jew, witnesses the restrictions Germans
place on Jews in the Polish capital, from restricted access to the
building of the Warsaw ghetto. As his family is rounded up to be shipped
off to the German Nazi labor camps, he escapes deportation and eludes
capture by living in the ruins of Warsaw.
來源：IMDB

『捌』 能幫忙告訴我《海上鋼琴師》這部電影的一些經典台詞嗎（英文）

All that city you just couldn』t see an end to it. 城市那麼大，看不到盡頭。
The end? Please? Can you please just show me where it ends? 盡頭在哪裡？可以給我看看盡頭么？
It was all very final on that gangway and I was grant too in my over coat. I cut quite a figure, and I was getting off, guaranteed. That wasn』t the problem. 當年，我踏上跳板，不覺得困難。我穿上大衣，很神氣，自覺一表人才，有決心，有把握，有信心。
It wasn』t what I saw that stopped me, Max, it was what I didn』t see。 Do you understand that? What I didn』t see. 我停下來，不是因為所見，是因為所不見。你明不明白？是因為看不見的東西。
In all that sprawling city, there was everything except an end. There was no end. 連綿不絕的城市，什麼都有，除了盡頭，沒有盡頭。
What I did not see was where the whole thing came to an end, the end of the world. 我看不見城市的盡頭，我需要看見世界盡頭。
Take a piano, hmm? The keys begin, the keys end. You know there are 88 of them. Nobody can tell you different. They are not infinite. 拿鋼琴來說，鍵盤有始也有終。有88個鍵，錯不了，並不是無限的。
You are infinite. And on those keys, the music that you can make is infinite. 音樂是無限的。在琴鍵上，奏出無限的音樂。 I like that. That I can live by. 我喜歡那樣，我應付得來。
You get me up on that gangway and you rill out in front of me a keyboard of millions of keys, Millions and billions of keys that never end. 走過跳板，前面的鍵盤有無數的琴鍵。
That』s the truth, Max, they never end. That keyboard is infinite. 事實如此，無窮無盡，鍵盤無限大。
And if that keyboard is infinite, then on that keyboard there is no music you can play. 無限大的鍵盤，怎奏得出音樂？
You are sitting on the wrong bench. That』s God』s piano. 不是給凡人奏的，是給上帝奏的。
Christ! Did you see the streets? Just the street-----there were thousands of them. 唉！只是街道，已經好幾千條。
How do you do it down there? How do you choose just one? 上了岸，何去何從？
One woman, one house, one piece of land to call your own, one landscape to look at, one way to die. All that world just weighing down on you. You don』t even know where it comes to an end. 愛一個女人，住一間屋子，買一塊地，望一個景，走一條死路。太多選擇，我無所適從，漫無止境，茫茫無際。
Aren』t youu ever just scared of breaking apart at the thought of it? The enormity of it. 思前想後，你不怕精神崩潰？那樣的日子怎麼過？
I was born on this ship, and the world passed me by. 我生於船，長與船，世界千變萬化。
But 2000 people at a time, and there were wishes here. 這艘船每次只載客兩千，既載人，有載夢想。
But never more than fit between prow and stern. 但范圍離不開船頭與船尾之間。
You played put your happiness, but on a piano that was not infinite! I learned to live that way. 在有限的鋼琴上，我自得其樂，我過慣那樣的日子。
Land? Land is a ship too big for me. It』s a woman too beautiful, it』s a voyage too long, a perfume too strong, it』s music I don』t know how to make. 陸地？對我來說，陸地是艘太大的船，是位太美的美女。是條太長的航程，是瓶太香的香水，是篇無從彈奏得樂章。
I can never get off this ship. I』m blessed I can step off my life. 我沒法舍棄這艘船，我寧可舍棄自己的生命。
After all, I don』t exist for anyone. 反正，世間沒人記得我。
You are the exception, Max. You are the only one who knows I』m here. You are a minority, and you』d better get used of it. 除了你，Max，只有你知道我在這里，你屬於少數，你最好習慣一下。
Forgive me, my friend, but I』m not getting off. 朋友，原諒我。我不下船了。 Hey，Max! Imagine the music I could play with two right arms. Hope I can find a piano up there. 兩條右臂能彈出什麼音樂? 希望天堂有鋼琴
夠嗎。。。。。。。

『玖』 求電影《鋼琴師》英文對白

http://www.weeklyscript.com/Pianist,%20The.txt
全部復制到地址欄

『拾』 誰能給我一篇電影《鋼琴師》的英語評論或者介紹，急！

The Pianist Movie Review

The Pianist, Roman Polanksi』s harrowing depiction of survival in war torn Warsaw is now out to own on DVD. The director reached deep into his own past to deliver the true story of Wladyslaw Szpilman, a Jewish pianist of some repute who is forced to eek out an existence amidst the events of The Second World War, where the fear of death at the hands of Poland』s Nazi occupiers was always close at hand. Szpilman』s story in many ways mirrors Polanski』s own tale. His mother was sent to her death at Auschwitz, and he wandered the Polish countryside alone passing from family to family until being reunited with his Jewish father, who survived the concentration camps, after the war ended. No director could be better placed to do justice to Szpilman』s unique story.

The film won the Palme D』or at Cannes last year and further acclaim at the Academy Awards in 2003, picking up the accolades for best picture, best actor for Adrien Brody who plays Szpilman, and most unexpectedly for Polanski himself. Despite measures in place to prevent the diminutive Pole from setting foot on US soil e to alleged sex crimes committed in the late seventies, Polanski picked up the award through the time honoured proxy of a video message! After a successful cinematic run on both sides of the Atlantic the film has been given the customary DVD treatment. Padded out with a range of extras and one particularly interesting documentary about the historical background to the story, where Polanski reveals his own methods of surviving the Polish occupation.

Polanski』s most personal film by far in terms of its content, The Pianist re-evaluates the directors』 pre-occupation with the darker recesses of the human soul explored throughout his career, often in elaborately macabre ways. A sinister yet plainly demarcated force of evil is an ever present in Polanski』s films. Whether it is the elderly couple from Rosemary』s Baby who conspire on behalf of the Devil himself, John Houston』s Noah Cross the wealthy land developer in Chinatown, or the shadowy kidnappers who quietly steal Harrison Ford』s wife in Frantic. The central character is continually terrorised and tested in the face of overpowering evil, which, once ultimately unmasked appears to reside closer to home than is often comfortable to reconcile.

Wadyslaw Szpilman, a local celebrity famed for his recitals on the city radio station, treats the German invasion of Poland with the same quiet unease and vigilance as his family and friends. The relatively peaceful early days of the occupation, coupled with news that Great Britain and France have declared war on Germany, buoy the Szpilman』s hope that all will soon be resolved without too much blood letting. Swiftly Polanski pulls the rug out from beneath the Szpilmans, unravelling their comfortable family lifestyle, with a steady current of persecution, turning to humiliation and then outright debasement. After being segregated into the Warsaw Ghettos and closed off from the rest of the city, Polanski exposes man』s survival instinct in all its brutal rawness. Indivial episodes that scour the depths of human depravity, showing Jews turning on one another for money and scraps of food are handled in Polanski』s customarily matter-of-fact style. After his family are transported to the death camps, Szpilman is forced to exist alone in deserted and ruined buildings, at the mercy of sympathisers and under the constant threat of capture.

From a collective depiction of the Jewish struggle in the first half of the war the story graally becomes more sharply focused upon Szpilman himself. Within the sweeping historical context of the first hour of the film Wladyslaw exists within the family unit, trying desperately to stay as such. After his family is split asunder, an historical sweep turns to penetrating character study, ingrained with palpable moments of suspense. Gone are the overcrowded streets of the ghettos full of dead bodies rotting in the sunshine; Adrien Brody』s quiet, waif like presence absorbs the majority of the screen time. Outliving everyone, Szpilman soon begins to reassert his sense of self despite such a raw existence. He re-establishes contact with the life he once knew through old friends who harbour him in relative safety and by maintaining his meticulous love of music. In one of the most arresting scenes in the film we see Szpilman miming the piano with his hands hovering over the keys in order to not make a sound and be detected.

Polanski pares down the story to one mans plight in the midst of 6 million others and it works resoundingly well. Soon we begin to believe that Szpilman is the only human being left in a devastated Warsaw, held completely at the mercy of outside forces, his loneliness and desperation is acutely observed. From the street-fighting between Polish resistance fighters and the Nazi』s observed from afar, to the tank shells and bombs that rip through his makeshift home, Szpilman』s fate becomes tensely poised with Polanski milking each scene for all its worth so that even in the absence of any notable dialogue or music to enhance the action, it becomes impossible to take your eyes from the screen.

Intensely moving, even on the small screen, The Pianist is a rewarding watch, tinged with the deeply personal input of a mercurial director who emphasises readily with the characters and their plight. Polanski has poured a little bit of himself into this one (and you sense that it』s much more than just his substantial filmmaking talents) but instead of getting too personal he maintains his distance. Never seeking to over-elaborate on the emotion, Polanski chooses to keep things fundamentally austere. As a result the integrity of the story is undiminished.

我是在國外的一個影評網站摘過來的，只是希望對你能有點幫助。