簡愛英語電影
❶ 在哪可以看到英國電影簡愛的英文影評
英國作家Charlotte Brinte的傳世經典，自問世以來不斷地被搬上舞台和熒屏。電影人對這個故事頗為熱衷，從早年的奧遜·威爾斯 Orson Welles（《公民凱恩》）版本到近期的威廉.赫特（《大寒》）版本，在歷時半個多世紀以來，伴隨著7、8個版本簡愛影片的誕生，不同的電影人在各自的作品中用自己的角度闡述對作品的理解，同時也推動了這部經典名著在全球的普及。
1970年的George C. Scott飾演的版本歷來被認為是所有版本中改編得最恰到好處的－－既忠實於原著精神，且故事結構更為緊湊，愛情主題更加突出。蒼涼靜謐的英國荒原，神秘詭異的古堡，陰郁迷離的氣氛，加上「老戲骨"George C. Scott的表演，將一個維多利亞時代歌特式的愛情故事演繹得凄美動人。George C. Scott的表演無疑是本片的一大看點，他的激情演繹使其他版本的Rochester黯然失色，其鋒芒直逼早年的Orson Welles。而Susannah York外表沉靜，含蓄內斂的風格也被評為最接近原著簡愛的精神氣質。本片的主題音樂更是大手筆，它出自著名音樂人約翰.威廉姆斯之手，這一主題曲把本片的愛情主題推向高潮，更成為該版本的標簽，至今仍在不同的音樂會上被演奏。
對於中國觀眾，這一版本的意義尤為特殊——它被無數次地製成錄音剪輯，在全國各地的電台一播再播：它被製成各種版本的錄音帶，被「聽迷」們爭相購買，聽這部電影著迷的人甚至比有機會看這部電影的觀眾還要多。對於出產了無數配音電影精品的上海電影譯制廠，《簡愛》堪稱精品中的精品。在觀眾每一次選出的配音作品中，《簡愛》無不位列三甲。它從台詞翻譯到演員表演，無不成就了一種典範。這是配音大師邱岳峰與李梓的顛峰之作，他們用聲音拓展了新的表現空間，豐富了電影這一「視聽」的藝術在聽覺上的美好體驗。邱岳峰塑造的羅切斯特，或憤懣，或柔情，或倦怠，或狂暴，無不讓人動容。而李梓演繹的簡愛在不慍不火的聲調里展現出細膩的情感變化，或溫婉，或堅定，也在更深層次上豐富了簡愛人物的形象。他們的聲音有表情，有形象，有情感，一寸一寸都是鮮活的。
本片是20世紀70年代初拍攝的小成本電視電影，雖然由明星喬治·斯科特擔綱主演，但國外觀眾對其評價不高，在國外電影市場基本上沒有什麼影響力，是上海電影譯制廠表演藝術家們的精湛技藝使得她面貌煥然一新，成為觀眾心目中外國電影經典之作。經過邱岳峰和李梓主配之後，多少觀眾為之傾倒，甚至有人在寒冷的冬夜剛看完這部片子步出影院，便滿懷激情吟誦起羅切斯特和簡愛的對白來。簡愛的愛情觀、價值觀、人生觀對不少女性產生了巨大的影響，孕育了一批中國式的女權主義者。大夥欣賞之餘，還找來原著細細品讀、比較 。
這是一部特殊的電影，觀眾可以閉上眼睛，傾聽這來自靈魂的聲音。
如果問譯製片里有哪部影片可以稱得上是「聖經」的話，那一定就是她了。
❷ 簡愛96版 中英字幕 電影 謝謝
簡愛1996[愛情]
主演：安娜·帕奎因Nic KnightNicola Howard
導演：佛朗哥·澤菲雷里
已發送下載連接，請查收
我是殘忍的扇貝！
❸ 求電影 簡愛 96版 中英雙字
查收資源哈 96版與2011新版
❹ 求英文版電影《簡愛》
已發送，請查收。如沒看到請查看你的垃圾郵箱，看看是不是被攔截了。有問題請追問，謝謝
❺ 美國版電影簡愛
Jane Eyre
The orphaned protagonist of the story. When the novel begins, she is an isolated, powerless ten-year-old living with an aunt and cousins who dislike her. As the novel progresses, she grows in strength. She distinguishes herself at Lowood School because of her hard work and strong intellectual abilities. As a governess at Thornfield, she learns of the pleasures and pains of love through her relationship with Edward Rochester. After being deceived by him, she goes to Marsh End, where she regains her spiritual focus and discovers her own strength when she rejects St. John River』s marriage proposal. By novel』s end she has become a powerful, independent woman, blissfully married to the man she loves, Rochester.
Edward Fairfax Rochester
Jane』s lover; a dark, passionate, brooding man. A traditional romantic hero, Rochester has lived a troubled wife. Married to an insane Creole woman, Bertha Mason, Rochester sought solace for several years in the arms of mistresses. Finally, he seeks to purify his life and wants Jane Eyre, the innocent governess he has hired to teach his foster daughter, Adèle Varens, to become his wife. The wedding falls through when she learns of the existence of his wife. As penance for his transgressions, he is punished by the loss of an eye and a hand when Bertha sets fire to Thornfield. He finally gains happiness at the novel』s end when he is reunited with Jane.
Sarah Reed
Jane』s unpleasant aunt, who raises her until she is ten years old. Despite Jane』s attempts at reconciliation before her aunt』s death, her aunt refuses to relent. She dies unloved by her children and unrepentant of her mistreatment of Jane.
John Reed
Jane』s nasty and spoiled cousin, responsible for Jane』s banishment to the red-room. Addicted to drinking and gambling, John supposedly commits suicide at the age of twenty-three when his mother is no longer willing or able to pay his debts.
Eliza Reed
Another one of Jane』s spoiled cousins, Eliza is insanely jealous of the beauty of her sister, Georgiana. She nastily breaks up Georgiana』s elopement with Lord Edwin Vere, and then becomes a devout Christian. But her brand of Christianity is devoid of all compassion or humanity; she shows no sympathy for her dying mother and vows to break off all contact with Georgiana after their mother』s death. Usefulness is her mantra. She enters a convent in Lisle, France, eventually becoming the Mother Superior and leaving her money to the church.
Georgiana Reed
Eliza』s and John』s sister, Georgiana is the beauty of the family. She』s also shallow and self-centered, interested primarily in her own pleasure. She accuses her sister, Eliza, of sabotaging her plans to marry Lord Edwin Vere. Like Eliza, she shows no emotion following their mother』s death. Eventually, Georgiana marries a wealthy, but worn-out society man.
Bessie Lee
The maid at Gateshead who sometimes consoles Jane by telling her entertaining stories and singing her songs. Bessie visits Jane at Lowood, impressed by Jane』s intellectual attainments and ladylike behavior. Bessie marries the coachman, Robert Leaven, and has three children.
Mr. Lloyd
The kind apothecary who suggests that Jane be sent to school following her horrifying experience in the red-room. His letter to Miss Temple clears Jane of the accusations Mrs. Reed has made against her.
Mr. Brocklehurst
The stingy, mean-hearted manager of Lowood. He hypocritically feeds the girls at the school starvation-level rations, while his wife and daughters live luxuriously. The minister of Brocklebridge Church, he represents a negative brand of Christianity, one that lacks all compassion or kindness.
Helen Burns
Jane』s spiritual and intellectual friend at Lowood. Although she is unfairly punished by Miss Scatcherd at Lowood, Helen maintains her poise, partially through her loving friendship with Miss Temple. From Helen, Jane learns tolerance and peace, but Jane can』t accept Helen』s rejection of the material world. Helen』s impressive intellectual attainments inspire Jane to work hard at school. Dying in Jane』s arms, Helen looks forward to peace in heaven and eventual reunion with Jane.
Maria Temple
The warm-hearted superintendent at Lowood who generously offers the girls bread and cheese when their breakfasts are inedible. An impressive scholar, a model of ladylike behavior and a compassionate person, Miss Temple is a positive role model for Jane. She cares for Jane and Helen, offering them seedcake in her room and providing Helen with a warm, private bed when she is dying.
Miss Miller
Teacher for the youngest students at Lowood who greets Jane on her first night at the school
簡愛——羅切斯特（戀人/夫妻）——瘋女（夫妻）
海倫－－簡愛（孤兒院好友）
布洛克爾赫斯特——壞人，孤兒院主持
聖約翰——簡愛（表兄妹，簡愛的追求者之一）
黛安娜和瑪麗－－簡愛的表姐，聖約翰的胞妹
愛麗思·費爾菲克斯－－羅切斯特的女管家，簡愛的朋友
阿黛勒－－羅切斯特的朋友的女兒，羅切斯特是她的監護人，簡愛的學生
英格拉姆小姐－－羅切斯特的追求者
❻ 請問英文版《簡愛》電影中哪個片段比較經典
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❼ 電影簡愛的英文對白
夏洛蒂·勃朗特的《簡愛》我已經看了N遍了，改編成電影以後也欣賞了很多遍。尤其是這段由李梓、邱岳峰配音的精彩對白，多年來一直鍾情，下面就一起來欣賞一下吧！
羅切斯特：還沒睡
簡：沒見你平安回來怎麼能睡！梅森先生怎麼樣？
羅：他沒事！有醫生照顧。
簡：昨兒晚上你說要受到的危險，過去了？
羅：梅森不離開英國很難保證！但願越快越好！
簡：他不象是一個蓄意要害你的人！
羅：當然不！他害我也可能出於無意！坐下。
簡：格雷斯·普爾究竟是誰？你為什麼要留著她？
羅：我別無辦法！
簡：怎麼會~
羅：你忍耐一會兒，別逼著我回答！我，我現在多麼依賴你！
唉，該怎麼辦？簡！有這樣一個例子，有個年青人，他從小就被寵愛壞了，他犯下個極大的錯誤。
不是罪惡，是錯誤，它的後果是可怕的，唯一的逃避是逍遙在外，尋歡作樂。
後來他遇見個女人，一個二十年裡他從沒見過的高尚女人，他重新找了生活的機會，可是世故人情阻礙了他，那個女人能無視這些嗎？
簡：你在說自己？羅切斯特先生？
羅：是的！
簡：每個人以自己的行為向上帝負責，不能要求別人承擔自己的命運，更不能要求英格拉姆小姐！
羅：哼！你不覺得我娶了她，她可以使我獲得完全的新生？
簡：既然你問我，我想不會！
羅：你不喜歡她？說實話吧！
簡：我想她對你不合適！
羅：啊哈~，那麼自信！那麼誰合適？你有沒有什麼人可以推薦？哼！唉~
你在這兒已經住慣了？
簡：我在這兒很快活！
羅：你捨得離開這兒嗎？
簡：離開這兒？
羅：結婚以後我不住這兒了！
簡：當然！阿黛勒可以上學，我可以另找個事兒。……我要進去了！我冷！
羅：簡！
簡：讓我走吧！
羅：等等！
簡：讓我走！
羅：簡。
簡：你為什麼要跟我講這些？她跟你與我無關！你以為我窮，不好看，就沒有感情嗎？
我也會的！如果上帝賦予我財富和美貌，我一定要使你難於離開我，就象現在我難於離開你。
上帝沒有這樣！我們的精神是同等的，就如同你跟我經過墳墓將同樣地站在上帝面前。
羅：簡~
簡：讓我走吧！
羅：我愛你！我愛你！
簡：不！別拿我取笑了
羅：取笑？我要你！布蘭奇有什麼？我對她不過是她父親用以開懇土地的本錢！ 嫁給我！簡！說你嫁我！
簡：是真的？
羅：唉！你呀！你的懷疑折磨著我！答應吧！答應吧！
簡：我愛你,愛德華.（簡依偎在羅切斯特的胸前，羅切斯特緊緊地抱住了她）
羅：上帝饒恕我！別讓任何人干擾我！她是我的！我的！
❽ 關於簡愛電影的英文字幕
那麼多版本，去射手找
❾ 《簡愛》電影的英語影評
Jane Eyre is a first-person narrative of the formative years of the title character, a small, plain-faced, intelligent, and passionate English orphan girl. The plot follows the form of a Bilngsroman, a novel that tells the story of a child's maturation and focuses on the emotions and experiences that lead to his or her maturity. The novel goes through five distinct stages: (1) Jane's childhood at Gateshead, where she is abused by her aunt and cousins; (2) her ecation at Lowood School, where she acquires friends and role models but also suffers privations; (3) her time as governess at Thornfield Manor, where she falls in love with her Byronic employer, Edward Rochester; (4) her time with the Rivers family at Marsh's End (or Moor House) and at Morton, where her cold clergyman-cousin St. John Rivers proposes to her; and (5) her reunion with and marriage to her beloved Rochester at his house of Ferndean. Partly autobiographical, the novel abounds with social criticism and sinister Gothic elements. Jane Eyre is divided into 38 chapters, and most editions are at least 400 pages long